MudMan

I haven’t faceplanted, but I have punched myself in the headset repeatedly. Turns out looking at things up close is not advisable when your face happens to have an invisible box strapped to it.

Man, I’ve had two separate devices fail to install updates the last week, leading to tons of weirdness and troubleshooting. I even had to chkdsk c: /F at one point like a neanderthal.

I have enough coomputers laying around that I’d move more of them to other OSs, Linux included if I hadn’t tried that and found it as much or more of a hassle in those specific machines, be it compatibility issues or just fitness for the application. I’m not married to Windows at all, but there are definitely things that are much easier to handle there, which does justify sticking with it through the reinstalls and awkward weirdness on those.

I’m not sure about the digital-only stuff, but the OP is specifically talking about yt-dlp as an alternative to ripping the BRs, and I have to agree that ripping the disks will be easier and yields better results.

Hardware availability is the trickiest part, especially for UHD, but if you have a drive that will deal with the disks you have I certainly wouldn’t bother with the stream rip.

But hey, as a fallback, it’s good to have the option.

For straight revenue, yeah, that’d be right. Technically everything else is a rounding error. But if Epic was one of those single game unicorns like Riot or Rovio this would not make much sense. The synergies of Unreal with both the movie and theme park buisness for Disney seem like a better fit. I mean, assuming the move makes actual sense, Disney is out there talking about game collaborations and it’s not like it’s the first time they’ve spent money randomly and poorly in the gaming business. I just think the investment would make sense even if Fortnite wasn’t in the mix.

And either way it’s being blown out of proportion by the news because they haven’t even bought the company. 1.5B is what? 10% as much as Tencent owns?

That is most likely going to generate less revenue than promoting donations, or a comparable amount at best. WinRAR is the meme example.

From a PR and marketing perspective, if I wanted to maximize my revenue as a single developer I would set up a Patreon or encourage recurring donations through the software by providing bragging rights stuff (merch, insider access, early access to unfinished builds and so on). Single mandatory payments simply reproduce the piracy/license access of commercial software and shaming people into paying without coercion just makes you seem less appealing to people who would donate anyway.

I… yeah, what? Disney is what does it? You were cool with Tencent, Sony, Lego, the massive fine for mishandling underage information? Disney. That’s your line.

Alright.

Hah. The framing from normie news is so weird. It’s “bizarrely Disney is investing on Fortnite”, instead of “Disney buys a stake on the people making Unreal, which at this point is like half of their and everybody else’s VFX pipeline”.

I wonder if the gaming news guys will have a better picture or the “Disney Fornite whaaaa?!” angle is what people will take away from this across the board.

It’s all usable when you get used to it, but this is a great thread to link for people who develop scripting and programming languages, or just text-based technical interfaces. Because yeah, all that crap is designed with the US layout in mind and screw whoever chooses to use ~ and | as commonplace characters.

FWIW, I don’t even code and I still keep a US layer in the background. I forget which one I’m using constantly, it’s all muscle memory. I just Win-space and try again whenever I type a character and it’s not what I expect.

Hey, at least that game came out. Plus Eidos Montreal also made the actually really, really damn good Guardians of the Galaxy game nobody played. I’d make that trade.

Man, these guys really can’t catch a break. That sucks, they make pretty solid stuff.

I am honestly not super sure about this strategy of buying your way into being a major publisher by vacuuming up IP nobody else was bidding for. What did they think would happen? Did they think the old majors were leaving a ton of money on the table and then realized too late that these really weren’t that profitable? Or was it just a bid that the low interest rates would last forever and the portfolion would just pay for itself if they bundled it large enough?

I don’t know what the business plan was meant to be, and it’s kinda killing me that I don’t fully grasp it.

The only one remotely close to being a hit was the first reboot. I guess it depends on whether you count the “I can’t believe it’s not Deus Ex” franchises they kept spinning up for a while. The first Dishonored probably did very well.

In fairness, the headlines written around this were generally atrocious, save a few (shout out to IGN and the original reporter, which may or may not have been techradar). Sure, in most of those you could read a more complete quote inside, but… staying at the headline isn’t just a gamer thing. Clickbait is dangerous for a reason.

And also in fairness, the point he’s making is still not great. I mean, he’s the guy in charge of their subscription service, so I wouldn’t expect him to be too negative on the idea, but he’s still saying that it’s a future that will come. Not that all models will coexist, but that a Netflix future for gaming is coming.

But yeah, gamers can be hostile without justification and often default to treating every relationship with the people making the games as an antagonistic or competitive one, which is a bummer. In that context, letting this guy talk was clearly a mistake.

Oh, it makes sense. I think there’s a place for subscription services, absolutely.

I don’t think a transition to subscription as the default model for gaming makes sense, though. Which was the point of the question and the implicit goal in the answer. And even if it did make practical sense (if people “got used to it”) it’d be bad for the art form and the industry on the aggregate.

Alright, I was only gently pointing it out because what he actually said is still a pretty bad take, but at this point it’s just annoying.

No, he didn’t say that.

He said that gaming subscriptions won’t take off UNTIL gamers get used to not owning their games. Wihch… yeah, it checks out.

The all-subscription future already sucks, can we at least limit our outrage to the actual problem? I swear, I have no idea why gaming industry people ever talk to anybody. Nothing good ever comes of it.

So far I don’t know of any services that will just hand you a digital file of a movie outside of physical media.

I say that’s a damn fine business opportunity, because I’d be all over it, but hey.

This basically, which at that point rolls all the way back around to piracy, so hey, if you find an easier way to access a comparable file maybe it’s all shades of grey anyway.

If they have access to remove the media from your library on their end, then it’s a license and not a purchase.

That doesn’t mean they don’t owe you access to it, though. The fact that there isn’t a word for “I’ve acquired perpetual access even if I can’t back up the file itself” doesn’t mean you shouldn’t have the right to continue to access the media. Or to demand that right to be upheld in court, for that matter.

I mean, you can “buy” stuff in Amazon Prime Video off service. Unlike Netflix or other platforms, they will let you “buy or rent” streaming movies, which is the same as finding the movie on the Amazon storefront and buying the digital copy instead of a physical copy.

Now, does that mean they won’t yank it? Not really. A digital license is a license, not a purchase. Is the word “buy” or “own” inaccurate? I’m hoping not, because like the Sony thing showed, platforms are desperate to not have the courts improvise what rights they owe the buyers on digital purchases.

I’m still buying my movies in 4K BluRay, though. And working on ripping all of them for streaming at home, now that I finally have the space.

No, hey, let me be clear, I don’t think you’re actively an ideologue, but you can absolutely disagree or actively advocate against it and still have your worldview filtered through that lens. None of us is immune to their context or their upgringing, least of all me.

What I do say is that the notion that “it’s not free, it all comes from taxes” is a very active framing, and it comes from an anarchocapitalist perspective, whether you agree with it or not. Yes, there is a cost to public services. And yes, you do have to tax people to fund the government that is meant to provide those services, but paying taxes isn’t the same as paying for a service, and public services aren’t “services you pay with your taxes”, they’re… well, public services.

And in the same vein, having an industry built on tipping is not sustainable and yeah, it’s a fairly (anarcho)capitalist perspective. Screw tips. You can contribute to an open source project, be it with cash, work, promotion or whatever, but you’re definitely not obligated to do so and that systemmust work within those parameters. FOSS is not software paid in tips, that’s not the point. It may be crowdsourced, but that’s not the same thing.

So hey, I get it, you don’t ideologically support those things, consciously. If you take anything from my comment let it be that you’re still thinking about it from that framework and there are other ways to frame it. You’re right that eventually the money has to come from somewhere, but how you frame the situation impacts which somewheres you’re willing to explore.

Yeah, for sure. I’m just wary that the line between cynicism and defeatism is thin, and defeatism leads to conformism.