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Joined 6 months ago
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Cake day: January 3rd, 2024

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  • You misunderstand how Russian propaganda works.

    It’s this:

    The firehose of falsehood is a propaganda technique in which a large number of messages are broadcast rapidly, repetitively, and continuously over multiple channels (such as news and social media) without regard for truth or consistency. An outgrowth of Soviet propaganda techniques, the firehose of falsehood is a contemporary model for Russian propaganda under Russian President Vladimir Putin.

    https://en.wikipedia.org/wiki/Firehose_of_falsehood

    The Jewish Nazis in Ukraine funded ISIS! The CIA funded the ISIS attack! The CIA didn’t warn us! The CIA didn’t warn us in time! This was done by ISIS! This was done by Ukraine! The attackers were fleeing to Ukraine! They were fleeing to Belarus but we stopped them! We are war with NATO! We are not at war with NATO. If NATO gives Ukraine F16s Russia will be at war with NATO. If NATO gives Ukraine F16s, Russia will shoot them down, but not be at war with NATO!

    Etc. etc. etc.



  • There’s a Craig Ferguson interview, where he says one of the secrets of some(!!!) of the most attractive Hollywood actors, is that in real-life they look like bug people. You know, weird looking, big eyes, huge head, tiny body. Looks great on camera and in 2d, not so much in the flesh. Probably also why IRC some Hollywood insiders call actors lollipop people. Stick with a big head on it.




  • Ugh. Short term thinking.

    There’s a reason the BBC often has a lot of good stuff. They give some talented nobodies some money, tell them to make a show, with no expectation it’ll be a big hit. Sometimes it turns out to be a cult classic like Hitchhikers Guide to the Galaxy, often the talented nobodies learn the ropes and their next show ends up being great.

    Nurturing talent isn’t profitable, but you do it anyway because at least some of that talent will make you money a few years down the line.

    Bit of a tangent, but go on the BBC sounds website. You’ll find loads of (science fiction) dramas from authors and actors you’ve never heard of. I suspect the amount of people who’ve actually ever listened to some of them is miniscule, bu itt’s a cheap way for the BBC to give new talent an opportunity to write and act in something, to develop their skills.