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0.00000003% 3 Satoshis of a percent.
0.00000003% 3 Satoshis of a percent.
Godspeed. May this measure succeed with all haste and become the new normal.
For once it overtakes one country; others can choose to follow suit as best as they can.
I have a /48 that I can basically roll through.
A /64 is more than enough though to prevent most casual attempts at entry; and does force more work / enumeration to be done to break into a network and do damage with. I’m not saying the privacy extensions are the greatest; but they do work to slightly increase the difficulty of tracking and exploitation.
With a /48 or even a /56; I can subdivide things and hand out several /64s to each device too; which would shake up things if tracking expects a /64 explicitly.
I actually use /55s to cordon off blocks inside the /48 that aren’t used too. So dialing a random prefix won’t help. You’d be surprised how often I get intrusive portsweeps trying to enumerate my /64s this way…and it doesn’t work because I’m not subnetting on any standard behavior.
In most sharing channels you could possibly just report those to the channel ops (@/&/!/~) and get them kicked or devoiced (removing their (+ or %) state depending on the channel)
I don’t know any channel that would put up with people who wasted your time with DRM’ed files back in the day. It’s less problematic now yes; but still something they don’t want people doing…since you have to be signed in as the purchasing account to de-drm something.
I run both because of this; and because SLAAC enables features in Desktop OSes that offer some level of additional privacy.
For example; Windows can do “Temporary IPv6 Addressing” that it will hand out to various applications and browsers. That IPv6 address rotates on a periodic basis; once every 24 hours by default; and can be configured to behave differently depending on your needs via registry keys.
This could for example, allow you to quickly spin up a small application server for something; like a gaming session; and let you use/bind that IPv6 address for it. Once the application stops using it and the time period has elapsed; Windows drops the IP address and statelessly configures itself a new one.
What happens is what’s intended.
Everyone is going to do it; and it will cause companies, artists and creatives to step back and rethink a bit on how they monetize their creations responsibly. The ones that refuse to rethink and adapt will fail and flounder under the tiny handful of straw that Piracy adds to the load.
That’s a GOOD thing.
What’s unfortunate is that companies and people still think it’s productive to worry and handwring over piracy as if it’s killing someone; instead of being the thing you “don’t fly too close to, lest your wax wings get melted off and you plummet to the ground.”
I get a free /64 and /48 directly from Hurricane Electric using their TunnelBroker and use PFSense to deploy that v6 locally on my LAN. Everything in the house has a v6 and is protected by the necessary firewalling too.
This is why I use PFSense and Hurricane Electric as a v6 tunnelbroker. I have working functional IPv6 with SLAAC and DHCPv6 and full Routing Advertisements on my LAN running side-by-side so that no matter which the device implements how poorly; it gets an IPv6 address and it works and is protected by the firewall.
You can automate this; but you have to make sure that the automation you create is going to respect the ratelimits. I’d recommend something simple like using a command alias or short script written for your specific IRC client.
It’s what I used to do with that sort of thing; and there are plenty of well known Open Source scripts in the wild as well
As an example; I would use mIRC with it’s scripting system and write my own event trigger scripts to automatically request, wait for and then accept the DCC chat requests and route them appropriately in the interface. There were also scripts that helped with getting the lists; unpacking them, and displaying those lists in my client…so I didn’t have to extract the text from the zip myself, and could select what I needed from the bot.
All of this was lightweight automation that was intended not to flood the bot with commands and fed into command queueing modules that let the bots have time to process.
Sometimes in those days you could get actually (+b)anned, Auto/KILL’ed or /(G/K):LINE’ed for causing a bot to crash…so you had to be careful and respectful with regard to scripts.
TL;DR; know your bot, source channel & network rules, and write your own scripts for safety or read any scripts you import in carefully and understand what they’re doing.
That signal might be insignificant to us; but it may be their way of establishing a timescale.
The time may be derived from how long their planet takes to rotate…aka the length of one sub-unit of their day…aka 1/24th of their day.
I’d argue that a more precise timing like 53.8 minutes is more attention grabbing. It shows finer grained control of technology; a “look here! we can do this too!” sort of demonstration.
If we are the “more advanced” neighbor; then I could see that being done.
Personally I think the more complex pattern of having 3 different states being cycled through once an hour is significantly less likely to be natural.
That, of course, doesn’t mean much by itself; it still is possible that it is natural and we just don’t understand why. More research into how and why that is happening is absolutely required to answer the question. I just don’t know if we will do it, or if we have the tech needed to fully investigate it yet.
Your comment missed the mark entirely. Please don’t reply-guy me; I know what I’m talking about.
So much for using airplane mode to conserve battery.
Your understanding is slightly off.
Airplane mode Does In Fact Turn off your CELLULAR Radio This radio is what powers your (2/3/4/5)G and LTE (This is 4G btw) connection to the cell towers.
Most international radio communications laws can prohibit the use of Cellular Radio in flight; however they often don’t prohibit the use of shorter range radio technologies such as WIFI or Bluetooth.
It’s all about ‘loudness’. Think about it. Your phone must ‘scream louder’ at a farther away cell tower than it would need to communicate with a nearby WiFi router or a Bluetooth headset.
This is factually wrong; as installed plugins aren’t accessible to just any webpage…and plugins actually exist that obscure this anyways.
Not to mention there’s more hardened forks of modern browsers that don’t share plugin information anyways.
I’m not going to agree with you on this. I think it’s unfortunate that your focus is on the assumption that it’s a purely white and cis male dominated decision; without providing any evidence that the museum is run strictly by cis white men.
Furthermore, you focus on problematic behavior; which is important to document completely if we are trying to present that history in a complete and educational manner that allows us to avoid repeating past mistakes. There should be no room for censorship in education, because that’s how bigotry, racism and such will breed…in the shadows of ignorance that the censorship casts upon it’s recipients.
Does the museum have an ethical obligation to do the following? 1. Make the artist’s racist history, and apology, public at the show and in its publicity; 2. Allocate profits from the show to a program that benefits local Black artists; 3. Ask the artist to fund an art department in a historically Black college or university.
I think the museum may be wise to warn patrons that the content of the art is potentially offensive to people. They may also inform the viewers that the views and concepts expressed in the artwork may not reflect how the artist currently feels. They are a product of history, a sign of the times of when the artwork was created and based off of.
They may choose to provide as much additional context to the art as needed to ensure people are warned about what may be viewed as offensive these days. I see no reason to censor or soften the art though.
People do deserve the right of some content warning though; so that they may practice appropriate viewer discretion. Nobody needs their day ruined by unexpected racism, in a content context when they’re not mentally prepared for it, and informed of the historical context in which it was expressed.
If the art otherwise stands out and expresses a worthwhile message; I think racism can be safely ignored by a prepared viewer who understands that the racist messaging is not okay by modern standards and is willing to look past it to see the other themes in the art work. I don’t believe any museum of a respectable nature would present this art if it did not have some redeeming quality; as they’re typically concerned with preserving our history. Hiding the darker facets of our history, such as racism, from our descendants will only ensure that they repeat those mistakes.
As for points 2 and 3; I think this decision should be left up to the museum and the artist as a whole. I wouldn’t expect contributions to a charity to offset the harms; nor do I feel they would genuinely “offset” the racism in the art. Let the art stand alone, in it’s darkness and it’s light, separate from it’s artist and the museum presenting it. Judge the art alone.
It is okay to dislike an art piece but still have learned something from it; or to appreciate parts of it’s message but not others.
Aye; I remember GPM, and before they enshittified it into the ground, it was damn near comparable to Spotify.
…Assuming the flash drive isn’t loaded to the gills with malware alongside of every game it offers to install…that sounds fair.
But let’s be real; No legitimate company stands a chance of doing this without getting sued into oblivion. Unfortunately that means the risk of getting viruses and malware with your purchase, likely ransomware or cryptominer droppers, is really high.
…but let’s assume you’re technical enough that you can disarm all the malware on the USB stick and clean the cruft out of it. Then; yeah…maybe you’ll get your value’s worth.